Photos

Building Your Portfolio

 Building Your Portfolio

It is a general rule that the more magazine tear sheets and campaigns you have in your portfolio, the more it motivates clients to book you.  This is because they demonstrate your hirability and experience. But, what if you are a new face and have never done a photo shoot, or you are not booking jobs that provide tear sheets? Not to worry, this is what testing is for.

Test shoots are styled and shot as if they were for magazines, but more focused on the model rather than the clothes. They are a way to build up your portfolio, as well as your professional experience. Not only do new faces rely on testing; established models also utilize it to keep momentum while they wait for published editorials or advertising jobs, and to keep their portfolios updated.

Testing comes in two forms:

  • PAID TESTS
  • TFP – Trade for prints.

 

PAID TESTS

Many models have to hire photographers in order to get their portfolios started. Your agent will either set it up or put you in contact with him or her. It is likely that the photographer is a client, who shoots advertising, magazines, or catalogs. Testing is a great way for working photographers to become familiar with new models.

Paid tests can cost anywhere from $200 to $850, depending on the photographer, location and what kind of team is involved. After the shoot, your agency will receive a CD, zip file or web link containing all the photos. Keep in mind that there is the possibility of having to do more than one paid test, especially is you are a new face.

 

TRADE FOR PRINTS

There is a constant flow of photographers trying to get established within the fashion industry. One of the ways they do this is by reaching out to model agencies to offer free test shoots. In return, they can use the images for promotional purposes in their portfolios. The model (or models) will also be given copies for their books. These are known as “trade shoots”, or trade-for-print (TFP) shoots. 

However, these trade shoots may not always work out. This can be due to poor photography, gaudy styling or an unsuitable theme. It is part of the risk and nature of working with new artists. But, whether the images make it into your book or not, the experience will help you grow as a model.

*If an artist approaches you directly to organize a shoot, notify your agency for approval. Your agent will know if the shoot will be worth your while (and safe!) 

 

THE PORTFOLIO

With a fastidious eye your agent specifically arranges your portfolio or "book" so that you are presented in the best possible way. They select the images from your test shoots , as well as any published editorials or campaigns. Some of the shots chosen may not be your favorite but, in the agent’s professional opinion, the photos enhance your features, body shape or personality. Special care is taken to include a number of poses and looks that show diversity, and appeal to as many clients as possible. Yet, not all clients are going to love all your photos. Should one client say they don’t like a picture, it does not mean that it won’t interest another. 

As a new face, it is normal to start out with four or five prints in your book. It is far more effective to have a few great pictures than a lot of ordinary ones. Keep in mind that it takes a while for a portfolio to develop into one worthy of a well-seasoned model, so be patient.  

 

 

 

 

 

What You Need To Know About Model Release Forms

What You Need To Know About Model Release Forms

Model release forms are documents that, if signed, give photographers/clients the right to use your image and likeness through any still or video footage that they have taken of you. Release forms were not used that often before the advancements in technology and social media, but now they seem to be the norm for every shoot.

Part of your agent’s job is to negotiate how and where your final images or film will be used and for how long. This is partly because the client’s use of your likeness can affect your rate. In general, more specifically advertising, greater exposure commands a higher rate, or ‘usage fee’. But, it is also dependent on the budget or brand.

Agents and clients occasionally draw up written contracts to formalize their agreements. They will include rates and usage, plus any non-disclosures or exclusivity clauses. However, clients may still give you release forms to sign at shoots, despite having contracts in place.

DON’T GET CAUGHT OUT

Although clients may have your agent pre-approve their releases or adjust them to match the contracts; there are a few that won’t. Call your agency the moment you receive any model releases that you weren’t alerted about before going on set. Your agent will let you know if you need to make any corrections or alterations to it.

Signing a release without your agent’s permission can potentially hinder your modeling career. You could be authorizing the client rights to unlimited usage of the images, for an unlimited amount of time and without further reimbursement to you.

WHAT TO DO WHEN GIVEN A RELEASE FORM

Should you feel pressured into signing a release, politely inform the client that you are under contract that prevents you from signing anything without your agency’s consent.  Additionally, you can say that you would be happy to forward it to your agent for approval.

If you sign a release without your agent’s approval, you could be giving the client unlimited use of the images for an unlimited amount of time, without further reimbursement.
If you sign a release without your agent’s approval, you could be giving the client unlimited use of the images for an unlimited amount of time, without further reimbursement.

How To Get Killer Digitals

  • CLOTHING Wear form fitted clothing in solid colors (preferably dark). All clothing and shoes must be clean – and don’t forget to carry a lint roller with you. Check out our Model Uniform guidelines.

What Is Editorial Modeling

Love Magazine (issue 17.5) model: Slick Woods, photography: Alasdair McLellan, fashion editing: Katie Grand.

Vogue Australia (October 2017) model: Fei Fei Sun, photography: Robbie Fimmano, styling: Katie Mossman.

Elle Men Hong Kong (2017) model: Rafal Kontny, photography: Lukasz Wolejko-Wolejszo, styling: Fabiana Vardaro.

GQ Magazine (2017) model: Geron McKinley, photography: Sebastian Mader.

Editorials are four to ten-page visual stories that showcase fashion, beauty, and lifestyle trends in magazines. Although the models, clothes, and accessories are usually the main focus, creative hairstyles, makeup, and props can also be the feature and add to the theme of the fashion story.

The magazine genre and the theme of the editorial greatly affect the model casting. Fashion magazines, for example, V Man or Harper’s Bazaar, book models that have an edgy or high fashion look. Some lifestyle magazines, like Self and Men’s Health, tend to use models that are more commercial and possibly athletic.

Shape Magazine (April 2013) model: Daria Pilnitskaya, photography: Jamie Nelson, styling: Katie Goldsmith.

Mens Health Romania (September 2017) model: Jason Morgan, photography: McKinght Peterson.

Along with physique and features, models require patience. There is a lot of makeup and hair preparation, light set up, and prop placement that is involved. Models should also know how to move and deliver different expressions. Lastly, they must be open-minded; editorials are constantly evolving with new creative concepts.

Editorial poses consist of angular lines and are either static or in movement; including jumping and running. The model’s expression is typically pensive, or a strong reaction to something. However, for a lifestyle magazine, models are more likely to smile while showing off the clothes, product, or even fitness exercise. Nevertheless, models must move with fluidity.

 

Editorial modeling is not as easy as it looks. Holding your body in uncomfortable positions for hours under hot lights, or wearing inappropriate footwear while traversing mountains is no picnic. Additionally, because editorials promote trends for the upcoming season, a common challenge is modeling summer clothes during winter, and vice versa. Nevertheless, you will most likely end up with beautiful photos that will give your portfolio a boost.

The Edit (October 2017) model: Grace Elizabeth, photography: Sebastian Kim, styling: Katie Mossman.

Modern Luxury (2017) model: Mathew Rojas, photography: Mark Veltman, stylist: Paul Frederick.

Vogue China (May 2011) model: Karlie Kloss, photography: Patrick Demarchelier, styling: Nicoletta Santoro

Vogue Portugal (October 2017) model: Maria Borges, photography: Branislav Simoncik.

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