Is the Fashion Industry Changing?
While social conditions change, fashion is trying to keep up with them. There’s a lot to be done, but some important moves have already been made.
VOGUE British May 2018 (cover)
The world is changing rapidly, and fashion is one of the sectors that need to adapt and demonstrate determination and consistency. Furthermore, like many other industries, the fashion world is now primarily influenced by social media, particularly Instagram. Thanks to this social media application, the increasing power of the “boy or girl next door” image is taking over. Even supermodels and celebrities seek to look like everyday people.
Since mass media influences the society around us, it would be inconceivable for it not to influence fashion. It seems that the previous limitations of age, size, race, and sex don’t play such an important role in the fashion industry anymore. Perhaps it is beginning to change slowly, but steadily, and accepting the diversity within it. Along with the aid of a few progressive designers who seek the approval of the consumers.
It’s worthwhile observing the last issue of British VOGUE (May 2018). Nine models, each in their own way, presented a different aspect of diversity in fashion. Introducing a bolder future of the industry. Showing that models are human beings encountered in everyday life and not just ethereal beings who could be found only in fairy tales and on catwalks. Finally, fashion is asking for more nonwhite, plus-size, trans, and mature models.
Olivia Anakwe at Marc Jacobs Fall 2018 (thefashionspot.com)
Racial, gender and sexual diversity have become more and more obvious in fashion shows and magazines. According to thefashionspot.com, during the Fall 2018 Fashion Week, more models of color walked the runway than ever before, and since Teddy Quinlivan came out last September, the number of transgender model castings in New York have jumped from 12 to 31.
Ariel Murtagh at Calvin Klein Fall 2018 (thefashionspot.com)
Ashley Graham Dolce&Gabbana AltaModa 2018 (harpersbazaar.com)
In a recent interview for WWD, Tom Ford highlights the fact that models have always been the same as the sample size that designers and fashion houses worked with, and he continued by saying that, “if they don’t fit the clothes, they don’t get the job.” But, the reality is now very far from what the designer states. The last few years have seen a rapid growth of the plus-size market, and the fashion industry knows very well what to do. Ashley Graham, Katy Syme, and Stella Duval are three of the top plus-size models who many luxury brands choose for their shows. Listening to the consumers’ needs is something that should be done by all brands.
IsabellaRossellini (dailymail.co.uk)
At the age of 43, Isabella Rossellini lost her contract with the French luxury cosmetics house, Lancôme, only to regain it at the age of 63. While on the Skavlan Talkshow, Rossellini describes the new female CEO telling her that “Women felt excluded, they felt rejected. And we really want to change the communication and include all women. And define beauty differently than looking young”. In the movie Death Becomes Her (1992), Rossellini plays the mysterious, always-stay-young Lisle Von Rhuman. Her co-stars Meryl Streep and Goldie Hawn do anything to stay forever young and beautiful, but with a price. Is this what every woman desires to be? Forever young or forever herself? But, that’s another article to write. Now, at the age of 60 something, Rossellini looks more accessible to women in her age group. Believe it or not, beauty brands have turned a new page. Through their ads, they are not only promoting beauty, but also the spirit and the confidence a woman should have in order to look and feel beautiful. By hiring women in their mid-50s and 60s as faces of their beauty campaigns, they speak directly to the hearts of women a similar age.
Fashion is an integral part of our everyday life and its reflection. Social conditions and data are changing, and fashion must keep up in order to serve our needs. But, also respond appropriately to key questions that have arisen concerning the fashion industry.
Grandmasters of Fashion
Lately, the fashion scene looks like a chess game. Who will make the smartest next move?
Alexander McQueen Spring 2005 Fashion Show (marieclaire.co.uk)
Within the last few months, there has been intense mobility in the fashion world. Designers have come and gone from one fashion house to another. Some others preferred to split from the luxury group they once used to be under. Everyone is moving like pawns in a chess game.
Riccardo Tisci | Photo- Inez and Vinoodh (BoF)
The first move was made by Riccardo Tisci and Burberry. In early March, the British luxury brand announced that Riccardo Tisci would be the new Creative Officer. Tisci succeeded Christopher Bailey who after 17 years decided to leave the company.
“Riccardo is one of the most talented designers of our time. His designs have an elegance that is contemporary and his skill in blending streetwear with high fashion is highly relevant to today’s luxury consumer. Riccardo’s creative vision will reinforce the ambitions we have for Burberry and position the brand firmly in luxury,” said Marco Gobetti, Burberry’s chief executive.
“I have an enormous respect for Burberry’s British heritage and global appeal and I am excited about the potential of this exceptional brand, I am honored and delighted to be joining Burberry and reuniting with Marco Gobbetti,” said Tisci.
Kris Van Assche gets studious in the Dior Homme studio. (WWD)
The next strategic move was made by Dior Homme as Kris Van Assche exited after 11 years at the brand but he’ll take up a new role within the LVMH Group, according to WWD. Kim Jones will undertake the duty of artistic director for Dior Homme, and according to sources, he will present his first collection in June 2018.
“I am deeply honored to join the house of Dior, a symbol of the ultimate elegance,” said Jones.
Kim Jones (BoF)
Virgil Abloh (BoF)
And as Kim Jones moved to the Dior team, it was Louis Vuitton’s turn to shake things up. Virgil Abloh will now be the new artistic director of Louis Vuitton menswear. The founder of the haute streetwear brand Off-White and Kanye West’s longtime creative director announced that he feels honored in accepting that position. He finds that the house’s heritage and creative integrity are the main key inspirations. So, his main goal would be to present them alongside with nowadays.
StellaMcCartney (the guardian.com)
After 17 years in a joint venture with the luxury goods group, Kering, Stella McCartney decided to make a very smart move and buy Kering’s 50% stake in her fashion label. “It is the right moment to acquire the full control of the company bearing my name,” said the designer. Rumour has it that Sir Paul McCartney has helped her financially to get the Kering’s share.
This chess game is not over, yet.
Is This The Beginning Of The End For The Fur Trade?
It seems that many fashion houses and major US cities have started to ban the use of fur in their clothes and shops.
(AOL)
San Francisco is one of the first major US cities to ban the sale of fur, after the city’s Board of Supervisors’ unanimous vote. The ban goes into effect on 1st of January 2019, and the city’s retailers have until January of 2020 to sell their fur stock. Clothing and accessories made from animal fur will no longer have a place on the shelves of San Francisco’s retail shops. Currently, San Francisco is the third Californian city banning the sale of fur after Berkley and West Hollywood.
This is a very encouraging move, at a time when more and more designers are declaring their cessation of animal fur use. Gucci, Giorgio Armani, Michael Kors, and now Versace recently announced that only eco-friendly “faux fur” will be used in their collections.
Michael Kors (Fashionista)
In October 2017, Marco Bizzarri, president and CEO of Gucci, stated in the Business of Fashion that using fur today is out-dated, and that’s the main reason why they stopped using it in their collections. In 2016, Giorgio Armani announced that he’ll stop the use of real fur. He also said that new technologies “render the use of cruel practices unnecessary as regards animals.”
Model at the Gucci Cruise 2018 show in Florence, Italy. (Pietro DΓÇÖAprano/Getty Images)
At the end of 2017, the iconic American designer, Michael Kors, announced that his company would no longer use real fur. The top Italian brand Versace, known for its unique Italian aesthetic has officially stated that it will stop using real fur, with Donatella Versace telling The Economist’s 1843 magazine, “Fur? I am out of that. I don’t want to kill animals to make fashion. It doesn’t feel right.”
Donatella Versace. (Alberto Scarpinato/IPA/RexShutterstock)
The “fur issue” will continue to bother the majority of fashion designers, since it’s not just about the use of real or fake. It’s more about sustainability and the way the faux-fur is produced.
Designers In Film: The Relationship Between Fashion And Film
Since the very early days of cinema, fashion designers have helped create Hollywood style icons.
Audrey Hepburn in "Breakfast at Tiffany's" wearing Givenchy. (Filmsane)
The relationship between fashion and film has always been a close one. Many renowned fashion designers are responsible for a number of iconic key pieces worn by film stars. In turn, several film stars became muses of luxury fashion houses. These two worlds share commonalities such as glamour and the pursuit of aesthetics.
On 20th March 2018, a great French fashion designer and couturier passed away at the age of 91. Hubert de Givenchy, “Le Grand Hubert” as the French called him, was an image maker who created style icons. He dressed Audrey Hepburn and Jackie Kennedy. In 1954, the collaboration between Givenchy and Hepburn for the costumes in Billy Wilder’s film Sabrina was the beginning of a long-lasting friendship. Everyone remembers Holly Golightly in Breakfast at Tiffany’s (1961) standing in front of the window of Tiffany’s wearing her little black Givenchy dress and a pair of oversized sunglasses.
Hepburn in a 1958 fitting with designer Givenchy at his Paris atelier. (Hollywood Reporter/ Everett Collection)
Many other collaborations between these two magical worlds came up in the years to follow. In 1967, Catherine Deneuve in Luis Bunuel’s movie Belle de Jour marked the acquaintance of the actress and the thirty years old designer, Yves Saint Laurent.
Catherine Deneuve wearing YSL in "Belle de Jour". (Clothes On Film)
Back in 1982, Marc Bohan for Dior designed a dress with a big bow at the back, for the movie Tout Feu, Tout Flamme and worn by Isabelle Adjani.
Isabelle Adjani wears Dior in "Tout feu tout flamme". (Isabelle Adjani Blog)
There have been many other eye-catching and influential costumes in cinema that generated fashion and style icons. Diane Keaton in Woody Allen’s movie Annie Hall (1977) promoted Ralph Lauren’s trend-setting masculine style.
Ralph Lauren dresses Diane Keaton for Woody Allen's "Annie Hall". (E! Online)
Giorgio Armani’s suits for American Gigolo (1980) made Richard Gere the ultimate best-dressed male of the ‘80s by far.
Moreover, we should not neglect the Vivienne Westwood wedding dress that was worn by the most stylish single woman of New York, Carrie Bradshaw (aka Sarah Jessica Parker) in the Sex and the City (2008) movie.
The fascinating journey of fashion in films is special and looks like a fairytale. Designers became well-known through their creations that appeared in films and muses emerged by wearing their masterpieces in films.
PFW F/W2018. We’ll Always Have Paris.
February 27, 2018
Christian Dior
First, it was the “We should all be feminists” T-shirt, now the “C’est non, non, non et non!” sweater. It’s been 50 years since the student riots in May 1968, and Maria Grazia Chiuri decided to make another social-political statement. Inspired by the tumultuous protesters of 1968 and Diane Vreeland’s “youthquake”, Chiuri wanted to target younger customers but retain Dior’s high-fashion aesthetic and legacy. A wardrobe that is revolutionary but also highly creative.
Saint Laurent
Anthony Vaccarello was inspired by the Yves Saint Laurent’s “Russian Peasant” couture collection of F/W 1976, an extravagant collection in its time. But, Vaccarello gave a more Parisian direction of that elaborated and voluminous collection of Monsieur Saint Laurent. Mini shorts, large brimmed hats, fiercely impressive décolletés and the sparkling Eiffel Tower as a background accessory created a strong, contemporary fashion statement.
February 28, 2018
Maison Margiela
Décortiqué. John Galliano loves to name his collections with French adjectives. In this collection, he stripped down the garments to their essence and just kept their skeletal structure. Unconscious glamour was the collection’s name, but it looked more like ‘Rushed Dressing’ glamour. Coats worn before dresses, blazers before sweaters, holographic coats and a lot of deconstructing garments all over the catwalk. Galliano loves the pair-if-you-dare game of fabrics.
Dries Van Noten
Fashion is good, fashion is nice. It sounds like a mantra but that was the message Dries Van Noten was passing through his collection. We live in a very complicated and wild world, and maybe the Dark Ages are back. But, fashion should reflect the bright side of life. That was what Van Noten’s collection was all about. Utilitarian sportswear, ‘70s glam, and Paul Poiret references. Fashion is good, fashion is nice.
March 1, 2018
Ann Demeulemeester
The dark romanticism of the British poet, William Blake, was what Sébastien Meunier had in mind while creating this strong, aggressive but feminine collection. Clothes for modern amazons. Unfastened leather straps, painted black clothes, but there was also a hint of innocence. Jeanne d’Arc could have been Meunier’s muse for this collection.
March 2, 2018
Loewe
Five classical novels in their native language, with jackets photographed by Steven Meisel, were placed on every chair. “Classicism is always there…sometimes you change the cover and make it relevant for today,” Jonathan Anderson referred to the reading material. Loewe craftsmanship and the meticulously detailed mixing of the fabrics created an updated classic collection.
Balmain
Olivier Rousteing’s “Balmain Army” became fierce disco queens this season. They love wearing ripped jeans with holographic jackets, quilted leather, PVC thigh-high boots, and whatever has a shining effect on the designer’s favorite ‘80s silhouettes.
March 3, 2018
Comme des Garçons
Rei Kawakubo always loves to deconstruct the shape of the clothes and create theatrical figures inspired the history, even if she has stated that she doesn’t like to look back. For this season, CAMP was the name of her collection. She referred to Susan Sontag’s 1964 essay “Notes on Camp”. “I think camp can express something deeper, and give birth to progress,” Kawakubo wrote in her show notes. The progress of thinking and feeling the world around us.
Altuzarra
Joseph Altuzarra designed a collection that was all about the women he grew up with. His mother, his friends, all the women who work and get dressed to go to the office. La Coupole restaurant at Montparnasse was the perfect choice for this real collection to take place.
March 4, 2018
Givenchy
If someone wants to learn about the ‘80s in East and West Germany, Clare Waight Keller’s collection for Givenchy would be the best fashion history class. Rich faux furs, leather, sharp tailoring and lace created the desired contradiction so as to present those two different sides of a country. Glamour and cruelty.
Valentino
“Sometimes it’s felt as if a woman had to dress like men to be more powerful. Today is a different moment. People can be exactly how they are,” said Pierpaolo Piccioli. Flowers, the symbol of romance, were the collection’s main theme. Flowers that were a reminder of Georgia O’ Keefe paintings but much more minimal. Long dresses, coats, jackets; everything a romantic Valentino woman would wear.
March 5, 2018
Alexander McQueen
A McQueen woman is always powerful, and so was Sarah Burton’s show. Metamorphosis was the name of the collection, and it was an ode to powerful womanhood. Like a caterpillar transforms into a beautiful and ethereal butterfly, so does a girl become a mighty woman. Undoubtedly, throughout the collection butterfly wings had a special place.
Giambattista Valli
“Humanity, much less politics,” Giambattista Valli said backstage. Valli’s collection was a collision between different cultures and politics where everyone accepts each other as they are. A journey through different countries, unique civilizations and unlike mentalities, but with bohemian attitude.
March 6, 2018
Chanel
Karl Lagerfeld always narrates a personal story through each of his shows, and he did so again this time. Twelve old alleys decorated the runway, at Grand Palais, along with a German forest that is usually spotted somewhere in north Hamburg, a memory from Lagerfeld’s childhood. Everything that one needed for a stylish walk into the woods was in the collection.
The #CHANELFallWinter 2018/19 show, presented by Karl Lagerfeld yesterday in Paris. #PFW
A post shared by CHANEL (@chanelofficial) on
Miu Miu
Miu Miu is about girls who love to have fun with fashion. This time, Miuccia Prada mixed the ‘50s and ‘80s and the outcome was an eccentric and colorful collection. Different types of models, but all were referring to strong personalities. One thing in common… they all love the ‘80s powerful dress code.
MFW F/W2018: La Divina Moda.
Hybrids. Clans. Cyborgs. Religion. Everything looked surreal in this still-real-world we live in.
February 21, 2018
Gucci
The fashion week in Milan initiated quite dynamically, shockingly dynamic someone would say. The invitation to Gucci had already prompted that the guests wouldn’t be watching an ordinary runway show. A timer in a plastic bag which counted in reverse until the beginning of the show, that was taking place in a surgery room. Alessandro Michele titled the Gucci show “Cyborg” after Donna Haraway’s 1984 “A Cyborg Manifesto” essay. Two models were carrying their own heads as accessories, another holding a dragon, and a third eye was staring from a model’s forehead. Living in a world full of uncertainty, where many questions have been risen and found no answers, Michele created a hybrid that surpasses dualisms and dichotomies. Velvet dresses, tweed jackets, distressed jeans, and furs covered with tulle. A futuristic collection with a grim touch.
Moschino
It’s very obvious that Jackie Kennedy and Marilyn Monroe were the inspiration for Jeremy Scott’s fall collection for Moschino. Bobbed hair and pillbox hats were reminiscent of the First Lady, but with some Pop Art and alien characteristics. However, it was the bombshell who came out wearing evening looks because something’s got to give.
February 22, 2018
Max Mara
Max Mara is synonymous with powerful and beautiful outwear since its foundation day, back in 1951. With this collection, Max Mara wanted to gain the appreciation of a younger generation. Power dressing with some ’80s punk chic details created a very strong theme. Large coats, leather skirts teamed with slim pants, and T-shirts with Francoise Berthoud illustrations are waiting to be worn by powerful Millennial queens.
Fendi
“Romantic femininity for a powerful woman,” were Silvia Venturini Fendi’s words about the last collection. This time Karl Lagerfeld and Fendi focused on men’s fabrics and detailed tailoring. Double-breasted glossy coats in Prince of Wales checks, handkerchief linen transformed into coat collars and embroidered dresses, Texan boots, and the new version of Peekaboo bag, the Peekaboo X-Lite brought the perfect balance between strong lines and the delicacy of the ‘40s.
Prada
Miuccia Prada decided to match two opposing types of women in order to create a superwoman, who isn’t afraid to fight if needed while wearing something extremely feminine. On the one side, bustier, tulle, and sequins and on the other protective tight knit dresses, and jackets in neon colors were worn as armor. Also, the “Hot Rods” shoes are back, but with an upgrade and perfectly matched with the Fondazione Prada’s view of the post-industrial Milan.
February 23, 2018
Etro
Etro becomes 50 years old and the creative director, Veronica Etro wanted to celebrate it with the most Etro-ish way. Prints and glamorous bohemian aesthetics were the main ingredients for the “Folk Deco” collection. Fringes, suede boots, printed dresses and shearling jackets proved that stylish can be also cozy.
Versace
For the Italians, “La Famiglia” is the most important, and sacred, thing. The family is something that proves where you belong, it’s a form of identity. Maybe that was what Donatella Versace had in mind when she named the last collection “The Clans of Versace.” Tartans, African graphism, total monochrome mixed with a multitude of styles and decades. Many designs were from her brother Gianni, but Donatella produced a collection that belongs in the “Famiglia Versace”.
GUCCI
MOSCHINO
MAX MARA
FENDI
PRADA
ETRO
VERSACE
GIORGIO ARMANI
MISSONI
JIL SANDER
MARNI
DOLCE & GABBANA
TOMMY HILFIGER
February 24, 2018
Giorgio Armani
“Inspired by many cultures as an ode to co-existence as opposed to exclusion,” were Giorgio Armani’s notes about the collection. Clothes in pale colors were succeeded by jackets and then by embellished gowns. The many fabrics created a collection that can travel around the world through textures and design.
Missoni
Missoni is well-known for its zigzagging, multicolored knits. For this season, Angela Missoni created another story mixing Caribbean colors and references to Jamaican colorful layering. Icons such as Lisa Bonet, Basquiat and Hendrix were an inspiration for this ‘70s and early ‘80s super colorful collection.
Jil Sander
A collection inspired by the sci-fi movie “2001: A Space Odyssey”, a nostalgia for what the future holds for humans. Outfits with references to astronaut uniforms that exhaled purity. “We’re surrounded by technology and AI and all these things that are always in the news and in the consciousness. We thought, ‘Why can’t the future be beautiful, soft and human also?’” said Luke Meier backstage.
February 25, 2018
Marni
“Techno-primitivism” is what Francesco Risso named his Fall 2018 Marni show – a contradiction in terms. Marni is a synonym to minimalism, yet this collection was dedicated to the use of contrasting colors, fabrics and prints. It was referring to that type of women who, at the same time, can combine fragility and powerfulness in a creative way. Well-constructed coats and dresses mixing two opposite fabrics produced a weird but very beautiful outcome.
Dolce & Gabbana
A Catholic ceremony with a touch of technology; that was Dolce&Gabbana. When the golden gates opened, eight drones appeared and each of them carried a D&G handbag. “Fashion Devotion” was the title of the collection, and not by chance. Every outfit was inspired by the Catholic church; the colors, the fabrics, the accessories. Even slogan printed t-shirts were referring to Church in some way. A collection made for sin.
Tommy Hilfiger
All started in New York, went to London, then Beijing and now Milan, the fashion capital in Tommy Hilfiger’s mind. It was something like a World Tour or pit stop of racing cars. Hilfiger’s spring #TommyNow see-now-buy-now collection was not only a celebration of his love for fast cars but also a celebration of his partnership with Mercedes-AMG Petronas, through which he will be its official apparel partner. Racing tops and jackets with Hilfiger’s logo, stripes, denim and sheer dresses. Everything looked so authentic. And, Gigi Hadid was there to add more cuteness and youthfulness at this “Fast and Furious” show.
LFW F/W2018: Hail the Fashion Mix!
Britishness. Color explosion. Print mix. Feminine empowerment. And Queen Elizabeth II first appearance at LFW. God save LFW!
February 16, 2018
Mulberry
“It’s all about the bag!” someone might think at the sound of the name Mulberry, the British well-known for its handbags brand. True but, the see-now, buy-now Spring 2018 collection was more like the tea party scene from Alice in Wonderland. A patisserie color palette and shoes with colorful ruffles and porcelain cups inspired rounded heels are the perfect choices for a garden party.
Matty Bovan
Matty Bovan is one of the rising stars on the London fashion scene. With his first solo show, he proved that he’s not only a good tailor since the main pieces of the collection were inspired by his late grandmother’s wardrobe, but he’s also a great showman. The tulle headdresses filled with balloons, designed by Stephen Jones, stole the show.
February 17, 2018
J.W. Anderson
“I was trying to think what is modern today and what is modern is what is next. Now is an amazing moment of clear-out and I think let’s go and find what’s new,” Jonathan Anderson said about his collection. He had to look back to his first collections and get inspiration from them. Paisleys, trench coats and khakis. It was a very different collection to what he does for LOEWE. It was a younger and more optimistic collection.
Burberry
Christopher Bailey’s last show for Burberry was a TIME to remember. This time wasn’t about Burberry, it was about a celebration of individuality. To that end, Bailey showed everything he believes in. Gay rights, optimism, youthfulness, and British streetwear were a look back to all those years he worked at Burberry. The bright LGBTQ+ rainbow colors appeared in most pieces, which became the signature of his last collection.
Gareth Pugh
This collection was all about power dressing. For once more, Pugh demolished the feminine silhouette and created a stiffer and more well-constructed one. Pagoda-shouldered tailoring, high-waisted trousers, leopard prints and a Hellraiser nail helmet made the collection serious armor. No one will ever dare to mess around with a Pugh’s woman.
February 18, 2018
Roland Mouret
“The Eyes of Laura Mars,” a 1978 movie, starring Faye Dunaway, is about power, femininity and image control. One of Roland Mouret’s favorite movies and the inspiration for his collection. He wanted to address the current theme of women’s harassment in the workplace, and he did it. Tapestry-like fabrics, wrap skirts but also laced dresses and football socks gave his collection the perfect balance between sensuality and modesty.
Mary Katrantzou
Mary Katrantzou is the “Queen of Prints,” and once again she demonstrated that she can reduce the distance between two very different design styles. Her “Interior Lives” collection was inspired by furniture and prints from William Morris and Bauhaus. A very paradoxical marriage with a very creative outcome. And yes, a Chesterfield sofa can turn into a bomber jacket!
February 19, 2018
Erdem
For his melancholy collection, Erdem Moralioglu chose as his inspiration the American vaudeville star Adele Astaire, sister of Fred Astaire. Beautiful, rich and romantic this collection could only be named. A showgirl who married an aristocrat. A collision of two different worlds. On the one side sparkling dresses and glittering capes, on the other jacquard dresses and thin black face veils. It worked since his collection told the story he had in mind.
Christopher Kane
“I’ve always been about human behavior, and I’ve always had some sort of sexual behavior in the collections,” Christopher Kane said after he presented his “The Joy of Sex “ by Alex Comfort illustrations inspired collection. Dominatrix leather dresses, knits that revealed the bra strap, and a lot of lace, “lover’s lace” as it called. Beautiful, provocative and sensual collection.
February 20, 2018
Richard Quinn
“She’s known for her sense of humor, and she’s seen a lot in her life. I don’t think a gimp mask will shock the Queen,” Richard Quinn said about the possible need of muting the designer’s signature bondage theme due to Queen Elizabeth II’s attendance at his show. Quinn’s collection was a tribute to Her Majesty’s Balmoral wardrobe. Prints, scarves beautifully paired with pleated chiffon skirts and oversized bomber jackets. At the end of the show, Quinn was awarded by Her Majesty with the inaugural Queen Elizabeth II Award for British Design, as a recognition of his talent and contribution to the fashion community.
NYFW F/W2018: A Fashion State of Mind.
Flashbacks to past decades. Travels to foreign cultures and to the outer space. Romanticism and gothic aesthetic. Playfulness. This NYFW almost had it all.
February 8, 2018
Tom Ford
Tom Ford’s women’s fashion show was a true flashback to the flamboyant, glamorous and sexy ‘80’s. Oversized outwear with metallic, black and vibrant animal print leggings turned out to be Ford’s favorites. Once again, he proved that he is an impeccable tailor in tuxedo dressing. But, the supplemental eccentricity with a sense of humor, and a #MeToo moment with two ‘Pussy Power’ sparkling lettering handbags shows us that Tom Ford wants to provoke our animal instincts as well.
Jeremy Scott
Jeremy Scott turned his fashion show into a kaleidoscope of neon colors. The beauty of these fluorescent and almost hypnotic colors were not only on his clothes and accessories, but also to the wigs worn by the models. “The Fifth Element” influence was obvious. “Um, just to have fun! Remember that?” Scott said before the show began. Some frivolity is always welcomed when it comes to fashion.
February 9, 2018
Tory Burch
For this season, Tory Burch found herself somewhere between a romantic and a utilitarian place. Pink carnations decorated the catwalk, and the Chamber Orchestra of New York played sonnets while the models presented Burch’s creations. Tailored blazers, dresses with asymmetric hemlines, and graphic botanical prints decorated some of the clothes. In spite of the romantic mood, utility jackets brought a masculine element to the collection, which gave some yin to it’s yang.
Bottega Veneta
It was the first presentation of the Italian House in New York, so the show should be about New York. Tomas Maier’s inspiration was derived from the bold dress code of Studio 54. Silk jewel-toned pajama sets, oversized textured coats, intricate embroidered and color blocking dresses brought a lot of Art Deco patterns in mind.
February 10, 2018
Alexander Wang
The old Conde Nast building in Times Square became the runway of Alexander Wang’s fall show. The “Matrix” aesthetic was there to stay with some nods to ‘90s Armani, Chanel, Prada and Robert Palmer’s “Addicted to Love” video. An old hair trend came back, and what else would it be but the giant plastic hair clip.
Stop trying to fit in, when you were born to stand out ! I did it the #PLEINway
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Philipp Plein
Philipp Plein’s show was an ode to technology, space, and the rise of the robots. Irina Shayk’s unexpected escort stole the show. The model appeared from the just-landed spacecraft to join a giant robot on the ‘space station’ catwalk. Shayk with her “I love you Philipp Plein” skin-tight catsuit, took her giant partner by the hand, and under the sounds of “Fly Me to The Moon”, they walked together on the catwalk.
February 11, 2018
Victoria Beckham
It’s been a decade since Victoria Beckham was introduced to us as a fashion designer. And, her recent collection was a celebration of Beckham’s British heritage. Most of the clothes had a utility detail. Military coats, oversized sweaters, wide belts, huge felted bags and square-toe long strap flats proved that minimal is not always boring.
Prabal Gurung
The Nepal-raised designer is a proud feminist supporter. For this season, Gurung was inspired by China’s matriarchal Mosuo tribe. Vibrant colors and a lot of cultural references at Eastern and Western civilizations created a glamorous and very feminine collection.
@kaiagerber twirling down the runway in a luxe metallic parka! ✨ #AnnaSuiFall18 Regram: @wwd
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February 12, 2018
Anna Sui
“Spin! Stop! Shoulder thrust! Hip thrust! Killer gaze!” The old-school way a model conquers the catwalk. Red, orange, and purple ruled the collection’s color palette and created a powerful psychedelic, flower-power, and early ‘60s aesthetic. Also, the mixing of the fabrics and the prints echoed pages of a ‘60s fashion magazine.
Carolina Herrera
After 37 years at the fashion’s service, Carolina Herrera decided to step down and give the reins of her House to her creative consultant, Wes Gordon. The white collared shirt and black bottoms are Herrera’s signature, and at her final show, she decided to pair it with colorful taffeta gown skirts. Something to remember, but not so classic.
February 13, 2018
Coach 1941
“The Witch” could have been Stuart Vever’s inspiration since the mood of his collection and catwalk had something gothic, whimsical and “darkly romantic” as the designer said. Floral and paisley dresses in autumnal colors, long black coats, and leather-trimmed outwear were the main pieces of the 76-years-old American leather luxury brand’s autumn 2018 collection.
Calvin Klein
Raf Simons had a surprise for his attendants at Calvin Klein’s show. He filled the catwalk with popcorn! Moreover, the show’s installations had Andy Warhol’s prints on them, and it looked more like an art show than an ordinary fashion show. As for the collection, Simons presented many ‘Protection’ pieces. Workers’ outfits, rubber boots, oversized sweaters and coats, knitted hoods and a lot of popcorn!
February 14, 2018
Michael Kors
This collection was about Michael Kors’ favorite things and “for people who find joy in getting dressed,” as the designer said. ‘50s cocktail dresses, tartan outwear, animal prints accessories, and jacquards embroideries. All mixed up together. A collection of many possible outfit combinations.
Marc Jacobs
What happens when Yves Saint Laurent meets Emanuel Ungaro, and suddenly Dick Tracy enters the room? Surely, a comic book aesthetic with puffed proportions but in luxury fabrics. Jacobs created a collection inspired by all those ‘80s characters, fictional or not. The oversized silhouettes and the so ‘80s color palette made his creations look almost grotesque, but at the same time very beautiful.
Living In The Echo Of Paris Haute Couture Week 2018
The Paris Haute Couture Week finished only two weeks ago but we have a lot of things to remember..
New York Fashion Week commenced February 18th, but Paris Haute Couture Spring Summer 2018 still lingers on the minds of everyone in the fashion world. A lot of things happened and once more Paris, La Ville Lumière (The City of Light), has been able to demonstrate that it can draw attention not just for the breath-taking and skillfully designed clothes that are presented in every Paris Fashion Week.
A new exhibition pays tribute to the late fashion designer Azzedine Alaïa, who passed away last November. The 41 dresses that are displayed are a short fashion design journey over time. The “Je suis couturier” exhibition runs until June 10th, 2018 at 18 rue de la Verrerie, 75004 Paris.
Jean Paul Gaultier, l’enfant terrible, paid homage to Pierre Cardin, the fashion house where he started his career as a designer. The collection was a marriage of Cardin’s futuristic style and Gaultier’s provocative design. But, what stole the show was when Coco Rocha took the runway with her two-year-old daughter, Ioni Conran. A new girl comes in town, and Couture is now more adorable than ever.
After Dior’s surrealistic inspired collection at the Musèe Rodin, a masquerade party took place where all guests were dressed in their tuxedos, gowns and their playful face masks.
Smartphones have ruled the front row of the fashion shows, and so John Galliano took advantage of this ‘reality’ for his latest haute couture collection for Maison Margiela. A special holographic fabric was used in most pieces of the collection. When the viewer took a photo with flash, the fabric transformed from black nylon to a shimmering holographic panel. Enough psychedelic to prove that haute couture can be modern, too.
Ornate hats used to be the hallmark of haute couture several years ago. For this season, Pierpaolo Piccioli, Valentino’s creative director, utilized for the first-time hats that were created by the British hatter, Philip Treacy.
Fancy feathered hats in bright colors adorned models’ heads. Despite the old extravagant look, there was a modern spirit in the collection. Wearing a tank top and a pair of chinos with a huge feathered hat is a powerful statement.
Paris Haute Couture Week was a true tour through the Parisian museums. Sometimes, it was like visiting the Louvre and Centre Georges Pompidou at the same time.
