Centre Georges Pompidou

Living In The Echo Of Paris Haute Couture Week 2018

By Katerina Stamatopoulou

@katrinst

  The Paris Haute Couture Week finished only two weeks ago but we have a lot of things to remember..

New York Fashion Week commenced February 18th, but Paris Haute Couture Spring Summer 2018 still lingers on the minds of everyone in the fashion world. A lot of things happened and once more Paris, La Ville Lumière (The City of Light), has been able to demonstrate that it can draw attention not just for the breath-taking and skillfully designed clothes that are presented in every Paris Fashion Week. 

A new exhibition pays tribute to the late fashion designer Azzedine Alaïa, who passed away last November. The 41 dresses that are displayed are a short fashion design journey over time. The “Je suis couturier” exhibition runs until June 10th, 2018 at 18 rue de la Verrerie, 75004 Paris.

"Je Suis Couturier" Exhibition at the Association Azzedine Alaïa (Katerina Stamatopoulou)

Jean Paul Gaultier, l’enfant terrible, paid homage to Pierre Cardin, the fashion house where he started his career as a designer. The collection was a marriage of Cardin’s futuristic style and Gaultier’s provocative design. But, what stole the show was when Coco Rocha took the runway with her two-year-old daughter, Ioni Conran. A new girl comes in town, and Couture is now more adorable than ever.

After Dior’s surrealistic inspired collection at the Musèe Rodin, a masquerade party took place where all guests were dressed in their tuxedos, gowns and their playful face masks.

Smartphones have ruled the front row of the fashion shows, and so John Galliano took advantage of this ‘reality’ for his latest haute couture collection for Maison Margiela. A special holographic fabric was used in most pieces of the collection. When the viewer took a photo with flash, the fabric transformed from black nylon to a shimmering holographic panel. Enough psychedelic to prove that haute couture can be modern, too.

Ornate hats used to be the hallmark of haute couture several years ago. For this season, Pierpaolo Piccioli, Valentino’s creative director, utilized for the first-time hats that were created by the British hatter, Philip Treacy.

 

Fancy feathered hats in bright colors adorned models’ heads. Despite the old extravagant look, there was a modern spirit in the collection. Wearing a tank top and a pair of chinos with a huge feathered hat is a powerful statement. 

Paris Haute Couture Week was a true tour through the Parisian museums. Sometimes, it was like visiting the Louvre and Centre Georges Pompidou at the same time.

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