Business

Building Your Portfolio

 Building Your Portfolio

It is a general rule that the more magazine tear sheets and campaigns you have in your portfolio, the more it motivates clients to book you.  This is because they demonstrate your hirability and experience. But, what if you are a new face and have never done a photo shoot, or you are not booking jobs that provide tear sheets? Not to worry, this is what testing is for.

Test shoots are styled and shot as if they were for magazines, but more focused on the model rather than the clothes. They are a way to build up your portfolio, as well as your professional experience. Not only do new faces rely on testing; established models also utilize it to keep momentum while they wait for published editorials or advertising jobs, and to keep their portfolios updated.

Testing comes in two forms:

  • PAID TESTS
  • TFP – Trade for prints.

 

PAID TESTS

Many models have to hire photographers in order to get their portfolios started. Your agent will either set it up or put you in contact with him or her. It is likely that the photographer is a client, who shoots advertising, magazines, or catalogs. Testing is a great way for working photographers to become familiar with new models.

Paid tests can cost anywhere from $200 to $850, depending on the photographer, location and what kind of team is involved. After the shoot, your agency will receive a CD, zip file or web link containing all the photos. Keep in mind that there is the possibility of having to do more than one paid test, especially is you are a new face.

 

TRADE FOR PRINTS

There is a constant flow of photographers trying to get established within the fashion industry. One of the ways they do this is by reaching out to model agencies to offer free test shoots. In return, they can use the images for promotional purposes in their portfolios. The model (or models) will also be given copies for their books. These are known as “trade shoots”, or trade-for-print (TFP) shoots. 

However, these trade shoots may not always work out. This can be due to poor photography, gaudy styling or an unsuitable theme. It is part of the risk and nature of working with new artists. But, whether the images make it into your book or not, the experience will help you grow as a model.

*If an artist approaches you directly to organize a shoot, notify your agency for approval. Your agent will know if the shoot will be worth your while (and safe!) 

 

THE PORTFOLIO

With a fastidious eye your agent specifically arranges your portfolio or "book" so that you are presented in the best possible way. They select the images from your test shoots , as well as any published editorials or campaigns. Some of the shots chosen may not be your favorite but, in the agent’s professional opinion, the photos enhance your features, body shape or personality. Special care is taken to include a number of poses and looks that show diversity, and appeal to as many clients as possible. Yet, not all clients are going to love all your photos. Should one client say they don’t like a picture, it does not mean that it won’t interest another. 

As a new face, it is normal to start out with four or five prints in your book. It is far more effective to have a few great pictures than a lot of ordinary ones. Keep in mind that it takes a while for a portfolio to develop into one worthy of a well-seasoned model, so be patient.  

 

 

 

 

 

MFW F/W2018: La Divina Moda.

By Katerina Stamatopoulou

@katrinst

Hybrids. Clans. Cyborgs. Religion. Everything looked surreal in this still-real-world we live in.

                                                                                                                     February 21, 2018

Gucci

The fashion week in Milan initiated quite dynamically, shockingly dynamic someone would say. The invitation to Gucci had already prompted that the guests wouldn’t be watching an ordinary runway show. A timer in a plastic bag which counted in reverse until the beginning of the show, that was taking place in a surgery room. Alessandro Michele titled the Gucci show “Cyborg” after Donna Haraway’s 1984 “A Cyborg Manifesto” essay. Two models were carrying their own heads as accessories, another holding a dragon, and a third eye was staring from a model’s forehead. Living in a world full of uncertainty, where many questions have been risen and found no answers, Michele created a hybrid that surpasses dualisms and dichotomies. Velvet dresses, tweed jackets, distressed jeans, and furs covered with tulle. A futuristic collection with a grim touch. 

Moschino
It’s very obvious that Jackie Kennedy and Marilyn Monroe were the inspiration for Jeremy Scott’s fall collection for Moschino. Bobbed hair and pillbox hats were reminiscent of the First Lady, but with some Pop Art and alien characteristics. However, it was the bombshell who came out wearing evening looks because something’s got to give.

                                                                                                                     February 22, 2018

 

Max Mara
Max Mara is synonymous with powerful and beautiful outwear since its foundation day, back in 1951. With this collection, Max Mara wanted to gain the appreciation of a younger generation. Power dressing with some ’80s punk chic details created a very strong theme. Large coats, leather skirts teamed with slim pants, and T-shirts with Francoise Berthoud illustrations are waiting to be worn by powerful Millennial queens.

 

Fendi
“Romantic femininity for a powerful woman,” were Silvia Venturini Fendi’s words about the last collection. This time Karl Lagerfeld and Fendi focused on men’s fabrics and detailed tailoring. Double-breasted glossy coats in Prince of Wales checks, handkerchief linen transformed into coat collars and embroidered dresses, Texan boots, and the new version of Peekaboo bag, the Peekaboo X-Lite brought the perfect balance between strong lines and the delicacy of the ‘40s.

 

 

Prada
Miuccia Prada decided to match two opposing types of women in order to create a superwoman, who isn’t afraid to fight if needed while wearing something extremely feminine. On the one side, bustier, tulle, and sequins and on the other protective tight knit dresses, and jackets in neon colors were worn as armor. Also, the “Hot Rods” shoes are back, but with an upgrade and perfectly matched with the Fondazione Prada’s view of the post-industrial Milan.

                                                                                                                     February 23, 2018

 

Etro

Etro becomes 50 years old and the creative director, Veronica Etro wanted to celebrate it with the most Etro-ish way. Prints and glamorous bohemian aesthetics were the main ingredients for the “Folk Deco” collection. Fringes, suede boots, printed dresses and shearling jackets proved that stylish can be also cozy.

 

Versace
For the Italians, “La Famiglia” is the most important, and sacred, thing. The family is something that proves where you belong, it’s a form of identity. Maybe that was what Donatella Versace had in mind when she named the last collection “The Clans of Versace.” Tartans, African graphism, total monochrome mixed with a multitude of styles and decades. Many designs were from her brother Gianni, but Donatella produced a collection that belongs in the “Famiglia Versace”.

  • GUCCI

                                                                                                                     February 24, 2018

 

Giorgio Armani
“Inspired by many cultures as an ode to co-existence as opposed to exclusion,” were Giorgio Armani’s notes about the collection. Clothes in pale colors were succeeded by jackets and then by embellished gowns. The many fabrics created a collection that can travel around the world through textures and design. 

 

Missoni
Missoni is well-known for its zigzagging, multicolored knits. For this season, Angela Missoni created another story mixing Caribbean colors and references to Jamaican colorful layering. Icons such as Lisa Bonet, Basquiat and Hendrix were an inspiration for this ‘70s and early ‘80s super colorful collection. 

 

Jil Sander
A collection inspired by the sci-fi movie “2001: A Space Odyssey”, a nostalgia for what the future holds for humans. Outfits with references to astronaut uniforms that exhaled purity. “We’re surrounded by technology and AI and all these things that are always in the news and in the consciousness. We thought, ‘Why can’t the future be beautiful, soft and human also?’” said Luke Meier backstage.

 

                                                                                                                     February 25, 2018

 

Marni
“Techno-primitivism” is what Francesco Risso named his Fall 2018 Marni show – a contradiction in terms. Marni is a synonym to minimalism, yet this collection was dedicated to the use of contrasting colors, fabrics and prints. It was referring to that type of women who, at the same time, can combine fragility and powerfulness in a creative way. Well-constructed coats and dresses mixing two opposite fabrics produced a weird but very beautiful outcome.

 

Dolce & Gabbana
A Catholic ceremony with a touch of technology; that was Dolce&Gabbana. When the golden gates opened, eight drones appeared and each of them carried a D&G handbag. “Fashion Devotion” was the title of the collection, and not by chance. Every outfit was inspired by the Catholic church; the colors, the fabrics, the accessories. Even slogan printed t-shirts were referring to Church in some way. A collection made for sin. 

 

 

Tommy Hilfiger
All started in New York, went to London, then Beijing and now Milan, the fashion capital in Tommy Hilfiger’s mind. It was something like a World Tour or pit stop of racing cars. Hilfiger’s spring #TommyNow see-now-buy-now collection was not only a celebration of his love for fast cars but also a celebration of his partnership with Mercedes-AMG Petronas, through which he will be its official apparel partner. Racing tops and jackets with Hilfiger’s logo, stripes, denim and sheer dresses. Everything looked so authentic. And, Gigi Hadid was there to add more cuteness and youthfulness at this “Fast and Furious” show.

Why Models Should Study the Fashion Industry

 

In all careers, people are hired for their expertise in their chosen fields. As a model, part of your expertise is the knowledge you have of the Fashion Industry.

TO COMMUNICATE WITH CLIENTS AND PEERS

By researching your clients and their products, you will be able to grasp the creative, or marketing, concepts of your bookings.  You will find it easier to follow direction and communicate with your client, and the creative team, on a professional level. 

If you are booked for an informal event in a department store or boutique,  you will be required to converse with the customers.  You may have to encourage the shoppers to browse your client’s collection or answer questions about the clothes you are modeling. Of course, you are not expected to know everything about the designs; but you do need to appear to have a basic interest in fashion.

To be familiar with all of the designers, stylists, artists, and photographers is very useful during ‘shop talk’ with your agent. For example; you could be told that your next test shoot is in the style of an established photographer, or that you should dress in the style of a designer brand for a casting.

IMPROVE YOUR CHANCE OF SUCCESS

Your passion and understanding for this multi-billion dollar industry will be appreciated by everyone that you work with.  Flipping through fashion magazines and blogs can teach you the difference between editorial, campaign and lifestyle work, while giving you inspiration for a multitude of poses and expressions. Additionally, it will keep you up to date with current trends in clothing, cosmetics, and style. 

Not only that, you also need to know which artists and clients could potentially move you up the rankings just by working with them. Do not take this as an excuse to refuse jobs because they are not shot by Mario Testino, or for the cover of Vogue, but as a way to recognize when a major opportunity arises.  It is all too common for models to miss their chance to raise their careers to the next level. This is because they don’t understand what career-changing job is being offered to them.

Modeling is highly competitive, and both clients and agents want to work with well-informed models; so study the business. It will surely improve your chance of success, and after all, knowledge is power!

 

RESOURCES: Aside from the countless glossy magazines and blogs, here are some great websites to help you study the fashion industry.

 www.models.com

 www.wwd.com

www.nowfashion.com

 

LFW F/W2018: Hail the Fashion Mix!

By Katerina Stamatopoulou

@katrinst

Britishness. Color explosion. Print mix. Feminine empowerment. And Queen Elizabeth II first appearance at LFW. God save LFW!

February 16, 2018


Mulberry
“It’s all about the bag!” someone might think at the sound of the name Mulberry, the British well-known for its handbags brand. True but, the see-now, buy-now Spring 2018 collection was more like the tea party scene from Alice in Wonderland. A patisserie color palette and shoes with colorful ruffles and porcelain cups inspired rounded heels are the perfect choices for a garden party.

 

Matty Bovan
Matty Bovan is one of the rising stars on the London fashion scene. With his first solo show, he proved that he’s not only a good tailor since the main pieces of the collection were inspired by his late grandmother’s wardrobe, but he’s also a great showman. The tulle headdresses filled with balloons, designed by Stephen Jones, stole the show.

February 17, 2018

J.W. Anderson
“I was trying to think what is modern today and what is modern is what is next. Now is an amazing moment of clear-out and I think let’s go and find what’s new,” Jonathan Anderson said about his collection. He had to look back to his first collections and get inspiration from them. Paisleys, trench coats and khakis. It was a very different collection to what he does for LOEWE. It was a younger and more optimistic collection.

 

Burberry
Christopher Bailey’s last show for Burberry was a TIME to remember. This time wasn’t about Burberry, it was about a celebration of individuality. To that end, Bailey showed everything he believes in. Gay rights, optimism, youthfulness, and British streetwear were a look back to all those years he worked at Burberry. The bright LGBTQ+ rainbow colors appeared in most pieces, which became the signature of his last collection.

 

 

Gareth Pugh
This collection was all about power dressing. For once more, Pugh demolished the feminine silhouette and created a stiffer and more well-constructed one. Pagoda-shouldered tailoring, high-waisted trousers, leopard prints and a Hellraiser nail helmet made the collection serious armor. No one will ever dare to mess around with a Pugh’s woman.

 

February 18, 2018


Roland Mouret
“The Eyes of Laura Mars,” a 1978 movie, starring Faye Dunaway, is about power, femininity and image control. One of Roland Mouret’s favorite movies and the inspiration for his collection. He wanted to address the current theme of women’s harassment in the workplace, and he did it. Tapestry-like fabrics, wrap skirts but also laced dresses and football socks gave his collection the perfect balance between sensuality and modesty.

 

Mary Katrantzou
Mary Katrantzou is the “Queen of Prints,” and once again she demonstrated that she can reduce the distance between two very different design styles. Her “Interior Lives” collection was inspired by furniture and prints from William Morris and Bauhaus. A very paradoxical marriage with a very creative outcome. And yes, a Chesterfield sofa can turn into a bomber jacket!

 

February 19, 2018


Erdem
For his melancholy collection, Erdem Moralioglu chose as his inspiration the American vaudeville star Adele Astaire, sister of Fred Astaire. Beautiful, rich and romantic this collection could only be named. A showgirl who married an aristocrat. A collision of two different worlds. On the one side sparkling dresses and glittering capes, on the other jacquard dresses and thin black face veils. It worked since his collection told the story he had in mind. 

 

Christopher Kane
“I’ve always been about human behavior, and I’ve always had some sort of sexual behavior in the collections,” Christopher Kane said after he presented his “The Joy of Sex “ by Alex Comfort illustrations inspired collection. Dominatrix leather dresses, knits that revealed the bra strap, and a lot of lace, “lover’s lace” as it called. Beautiful, provocative and sensual collection.

 

February 20, 2018


Richard Quinn
“She’s known for her sense of humor, and she’s seen a lot in her life. I don’t think a gimp mask will shock the Queen,” Richard Quinn said about the possible need of muting the designer’s signature bondage theme due to Queen Elizabeth II’s attendance at his show. Quinn’s collection was a tribute to Her Majesty’s Balmoral wardrobe. Prints, scarves beautifully paired with pleated chiffon skirts and oversized bomber jackets. At the end of the show, Quinn was awarded by Her Majesty with the inaugural Queen Elizabeth II Award for British Design, as a recognition of his talent and contribution to the fashion community.

What You Need To Know About Model Release Forms

What You Need To Know About Model Release Forms

Model release forms are documents that, if signed, give photographers/clients the right to use your image and likeness through any still or video footage that they have taken of you. Release forms were not used that often before the advancements in technology and social media, but now they seem to be the norm for every shoot.

Part of your agent’s job is to negotiate how and where your final images or film will be used and for how long. This is partly because the client’s use of your likeness can affect your rate. In general, more specifically advertising, greater exposure commands a higher rate, or ‘usage fee’. But, it is also dependent on the budget or brand.

Agents and clients occasionally draw up written contracts to formalize their agreements. They will include rates and usage, plus any non-disclosures or exclusivity clauses. However, clients may still give you release forms to sign at shoots, despite having contracts in place.

DON’T GET CAUGHT OUT

Although clients may have your agent pre-approve their releases or adjust them to match the contracts; there are a few that won’t. Call your agency the moment you receive any model releases that you weren’t alerted about before going on set. Your agent will let you know if you need to make any corrections or alterations to it.

Signing a release without your agent’s permission can potentially hinder your modeling career. You could be authorizing the client rights to unlimited usage of the images, for an unlimited amount of time and without further reimbursement to you.

WHAT TO DO WHEN GIVEN A RELEASE FORM

Should you feel pressured into signing a release, politely inform the client that you are under contract that prevents you from signing anything without your agency’s consent.  Additionally, you can say that you would be happy to forward it to your agent for approval.

If you sign a release without your agent’s approval, you could be giving the client unlimited use of the images for an unlimited amount of time, without further reimbursement.
If you sign a release without your agent’s approval, you could be giving the client unlimited use of the images for an unlimited amount of time, without further reimbursement.

Bravo! Condé Nast: The Media Company Implements A Code Of Conduct For Photoshoots

It has been a tumultuous time of late. With the rise of the #MeToo movement, and it’s effect on not only Hollywood but many other industries, including Fashion.  Both men and women have spoken up about their experiences which are truly difficult to stomach.  But at last, it seems like society is finally addressing this serious situation. Even if we think it’s, ‘a little too late,’ there are changes being made to protect all genders in the workplace going forward.

In this month’s issue of Vogue, Anna Wintour announces in her Letter from the Editor  that the global media company, Condé Nast, which owns the glossy magazine, had recently created guidelines to specifically protect models from, “manipulation, coercion, and abuse while on set.”  While this code of conduct was already enforced by January 2018, it was rather impressive to see it written in print, penned by the queen of fashion herself. The new Condé Nast guidelines include:

All models appearing in fashion shoots must be eighteen years of age or older. The only exceptions will be those appearing as themselves as part of a profile or news story, and they will be required to have a chaperone on set at all times.

Alcohol will no longer be allowed on Condé Nast sets. Recreational drugs will not be allowed.

Photographers will no longer be permitted to use a Condé Nast set for any work that is not commissioned or approved by the company.

Any shoot involving nudity, sheer clothing, lingerie, swimwear, simulated drug or alcohol use, or sexually suggestive poses must be approved in advance by the subject.

Although, there are already child model laws set in place that should cover some of these points. Condé Nast also made specifications for location shoots and travel.

We recommend that a model should not be alone with a photographer, makeup artist or other contributor participating in a Condé Nast shoot.

Throughout the shoot, including any related travel, photographers and videographers may not shoot anyone engaged by or through Condé Nast other than as requested by Condé Nast.

Read the full Condé Nast code of conduct here

I fully commend Condé Nast for their shift in doing business, and hopefully other companies will follow suit. Bravo!

 

 

Why Ashley Graham’s Recent Revlon Contract Marks A Milestone In Fashion History

Ashley Graham, the inspirational curvy beauty, has recently landed a revolutionary contract with Revlon Inc. Why is this so unprecedented? Well, she happens to be the first plus-size model to land such a deal. Although cosmetic contracts are coveted to gain supermodel stardom – which Graham has already achieved, the #LiveBoldly campaign also proves that the advertising world is finally taking note of how today’s society views and accepts beauty. We are more inclusive of age, race, gender, and size than ever before.

Graham spoke to WWD about her milestone deal with Revlon;
“Historically, curvy girls are not given beauty contacts,” Graham said. “It’s kind of groundbreaking because, in my generation of models, this hasn’t happened yet. This is one of those moments where I’m over the moon, I cried a little.”


She is featured alongside models, Adwoa Aboah, Imaan Hammam and Raquel Zimmerman, which adds to the powerful message of diversity and equality.

STREET STYLE: Outerwear On Point During Men’s Paris Fashion Week

Another season of men's shows has come and gone.  The Fall 2018 collections were great but, we really fell in love with what was happening on the streets. In particular, the outerwear - which did not merely serve to protect against the elements, but also raised these industry professionals' outfits to the next level.

  • Photo: Imaxtree (Esquire)

An Interview with British Stylist Sophie Stevens: On Set Life And Working With Models

"I picked her because I knew she wouldn't let me down. I didn't want to risk using a new girl that might not have been able to cope with the situation."

British Stylist Sophie Stevens
Photos courtesy of Sophie Stevens

Sophie Stevens does not only style celebrities like Kylie Minogue and Mel C, but you will also find her forecasting trends on British radio and television. She has spent over two decades working alongside models for campaigns and editorials such as; Marks and Spencers, L'Oréal, and Cosmopolitan Magazine. We get up close and personal with the glamorous stylist to find out what it's like to be in her world that requires models to have the utmost professionalism.

FMD: Stylists are sometimes asked to take part in selecting the models, as well as style. Do you get involved in the model casting process for your projects, and if so; are there specific physical or personality traits that you look for in both male and female models?
Sophie Stevens: I am often the person choosing the model. Personality is key for me. A book can show how they look on camera, but not who they are. [When you see them in person] you might discover that they do ballet or can ski - showing that they have great balance and are possibly super bendy! Physically, great skin and great hair is always a must.

Casting also gives you the ability to check for any changes to their appearance. For example, have they had a haircut or color? It's also a perfect opportunity to have a casual chat and a giggle with the models. Just to gauge what kind of personality they have. Lastly, I always reconfirm their stats with them. Often shoe sizes etc. can be incorrect in a model's book, and this can really make or break a shoot if you don't have the correct sizes.

FMD: Do you have any advice that would help models during castings? For instance, what would be a big no-no if they were at your casting?
Sophie Stevens: Being too quiet! Not expressing their personality enough. I love it when models show their natural style in what they wear to castings. I much prefer seeing [models] as they are. Clean hair is a must, and if it's pulled up; pull it down before we meet. Finally, don't swamp yourself in layers so I can't see your figure.

FMD: Describe the best working experience you have had with a model, and why it is on the top of your list?
Sophie Stevens: There would have been a lot over the years. But, a recent one that springs to mind is when I shot the Spring/Summer trends shoot in March, on a beach in the UK and it was so cold. The model was such a trooper. She never complained, even when it started to snow! She was in denim shorts and a sheer top while [the rest of the crew] had twelve layers on. I felt so bad, but I tried to keep her laughing and jumping by shoving a hot water bottle down her back and giving her endless hot drinks. She was so professional. She even said that she'd had a really nice day! Models are amazing sometimes! It's worth mentioning that I actually had shot this girl before. I picked her because I knew she wouldn't let me down. I didn't want to risk using a new girl that might not have been able to cope with the situation.

FMD: What would be your most challenging moments on set with a model? 
Sophie Stevens: There was a girl I shot once who was very new. She was such a sweet girl but also extremely nervous. The client had booked her for a big campaign, but she literally couldn't move. She couldn't follow any of my direction, so I had to keep going on set and physically move parts of her body to the position I needed them to be in. It was so difficult and time-consuming, and we had about 30 shots to do that day. 

FMD: From a client's standpoint, what is the working environment like while being on set for an editorial or campaign shoot?
Sophie Stevens: It's fun! A little stressful at times, depending on what you're doing.- and very busy! Time seems to slip away with you, so you have to be strict about getting people into position and not let them get carried away with chatting and eating croissants. If you're in charge, you have to step up and make sure things happen and be prepared for anything.

FMD: You do a lot of multi-day shoots on location. What are your expectations of models for these projects? Are they different from when you work on single day, or studio shoots?
Sophie Stevens: Location shoot days tend to start a lot earlier, so punctuality is key. They also tend to be slightly longer days, so models need to be aware of this in case they have evening plans or flights to catch. The other important factor for location shoots would be dressing appropriately. Even though wardrobe is provided for the shoot, models should bring clothes and shoes to keep warm in between shots. 

FMD: What advice do you have for any model that walks on to your set?
Sophie Stevens: Enjoy yourself, but be present. Don't check your phone every two minutes. Change quickly, and give it your all. That way everyone is happy; the day goes smoothly and quickly. Plus, we all get to go home on time!

 

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