What Is Catalog Modeling?
When we think of catalogs, we usually think of Target, REI, Bed Bath and Beyond and Walmart. There are hundreds of mail order and online catalogs selling a variety of merchandise; clothing, outdoor equipment, and even Halloween costumes. Their purpose is to entice customers to buy products, using visual and written descriptions – since they are not purchased from inside a brick-and-mortar store.
The model casting is based on the product that the client is selling. Models can range from children all the way up to seniors. Some clients require their models to have specific skills or interests; such as a sportswear client might look for professional or amateur athletes. Nevertheless, all clients want models who are approachable and move well in front of the camera.
Art Directors are typically responsible for booking models, though photographers and stylists can also be given the task. Art Directors gather their creative teams and ensure that their marketing visuals are properly executed. They also maintain an ‘approved’ board, displaying pictures of all the models that they consider for their shoots. If you are ‘approved’, you have the potential to work with that client annually, monthly, or even every week.
Models who get booked on a regular basis can receive significant annual incomes. As a result, catalog clients are considered the bread and butter of the modeling world. Day rates are substantially higher than editorial jobs because catalog work is more driven by advertising, and the photos from these shoots are not always portfolio worthy. However, the rate will vary depending on the client’s budget, as well as the model’s experience and the strength of his or her portfolio.
Like many other shoots, catalog jobs can be held in a studio or on location. If a client shoots consistently throughout the year, they may have an in-house studio and production team. Because outdoor shots are popular in catalogs, some clients travel to another state or abroad to get the appropriate setting and weather conditions. English and German clients have been known to shoot their summer collections in South Africa or Miami, due to consistent warmer climates and sandy beaches.
A model’s job is to emphasize the clothing or product while making it look natural. For example, you may be asked to use kitchen or gardening appliances, or pretend to be socializing with friends. But, for clothing, the movement is fluid and continuous. The most common facial expression seen in catalogs is a smile. However, when a model needs to be serious, it is usually done with a soft, pleasant look. Although the photographer and art director will give you direction, you will be expected to have a ‘flow’; making subtle adjustments to your poses. A slight move of your hand, a tilt of the head, or a change of facial expression will give the client a variety of shots to choose from. Furthermore, if you are able to do this quickly and efficiently, you’ve just increased the chances of the client wanting you back.
The Great Influence Of Kate Spade
Three things that made Kate Spade an all-time classic designer.
Kate Spade (Photo: CNBC/Andrew Toth/ Getty Images)
The sudden death of Kate Spade (aged 55) on the 5th of June was a great shock to the fashion world. Since the inception of her brand, the famous accessories designer greatly impacted the fashion industry by offering fashion lovers unique, and affordable pieces. It was 1993 when Spade founded her label with the vision of creating the perfect handbag, along with signature characteristics that made her brand very special.
Kate Spade created accessories that were about affordability and accessibility. One of the brand’s best sellers is the all-time classic Sam handbag which is priced no more than 200 dollars.
Spade’s designs came in bright colors and interesting prints. No matter if you were wearing them or just looking at them, they’d always brighten your mood. Spade’s brand was also the first to use nylon and establish “Nylon Chic.”
Every woman wants a black classic handbag and Kate Spade designed the first timeless and reasonably priced handbag that can match almost every outfit, from a pair of jeans to a cocktail dress.
Kate Spade will be missed for her cheerful and positive attitude. The legacy she has left behind is priceless, and hopefully, the breath of fresh air her accessories offered will not be lost or forgotten.
Is the Fashion Industry Changing?
While social conditions change, fashion is trying to keep up with them. There’s a lot to be done, but some important moves have already been made.
VOGUE British May 2018 (cover)
The world is changing rapidly, and fashion is one of the sectors that need to adapt and demonstrate determination and consistency. Furthermore, like many other industries, the fashion world is now primarily influenced by social media, particularly Instagram. Thanks to this social media application, the increasing power of the “boy or girl next door” image is taking over. Even supermodels and celebrities seek to look like everyday people.
Since mass media influences the society around us, it would be inconceivable for it not to influence fashion. It seems that the previous limitations of age, size, race, and sex don’t play such an important role in the fashion industry anymore. Perhaps it is beginning to change slowly, but steadily, and accepting the diversity within it. Along with the aid of a few progressive designers who seek the approval of the consumers.
It’s worthwhile observing the last issue of British VOGUE (May 2018). Nine models, each in their own way, presented a different aspect of diversity in fashion. Introducing a bolder future of the industry. Showing that models are human beings encountered in everyday life and not just ethereal beings who could be found only in fairy tales and on catwalks. Finally, fashion is asking for more nonwhite, plus-size, trans, and mature models.
Olivia Anakwe at Marc Jacobs Fall 2018 (thefashionspot.com)
Racial, gender and sexual diversity have become more and more obvious in fashion shows and magazines. According to thefashionspot.com, during the Fall 2018 Fashion Week, more models of color walked the runway than ever before, and since Teddy Quinlivan came out last September, the number of transgender model castings in New York have jumped from 12 to 31.
Ariel Murtagh at Calvin Klein Fall 2018 (thefashionspot.com)
Ashley Graham Dolce&Gabbana AltaModa 2018 (harpersbazaar.com)
In a recent interview for WWD, Tom Ford highlights the fact that models have always been the same as the sample size that designers and fashion houses worked with, and he continued by saying that, “if they don’t fit the clothes, they don’t get the job.” But, the reality is now very far from what the designer states. The last few years have seen a rapid growth of the plus-size market, and the fashion industry knows very well what to do. Ashley Graham, Katy Syme, and Stella Duval are three of the top plus-size models who many luxury brands choose for their shows. Listening to the consumers’ needs is something that should be done by all brands.
IsabellaRossellini (dailymail.co.uk)
At the age of 43, Isabella Rossellini lost her contract with the French luxury cosmetics house, Lancôme, only to regain it at the age of 63. While on the Skavlan Talkshow, Rossellini describes the new female CEO telling her that “Women felt excluded, they felt rejected. And we really want to change the communication and include all women. And define beauty differently than looking young”. In the movie Death Becomes Her (1992), Rossellini plays the mysterious, always-stay-young Lisle Von Rhuman. Her co-stars Meryl Streep and Goldie Hawn do anything to stay forever young and beautiful, but with a price. Is this what every woman desires to be? Forever young or forever herself? But, that’s another article to write. Now, at the age of 60 something, Rossellini looks more accessible to women in her age group. Believe it or not, beauty brands have turned a new page. Through their ads, they are not only promoting beauty, but also the spirit and the confidence a woman should have in order to look and feel beautiful. By hiring women in their mid-50s and 60s as faces of their beauty campaigns, they speak directly to the hearts of women a similar age.
Fashion is an integral part of our everyday life and its reflection. Social conditions and data are changing, and fashion must keep up in order to serve our needs. But, also respond appropriately to key questions that have arisen concerning the fashion industry.
What You Should Have In Your Model Bag
Whether you are a model running between castings and jobs every day, or you're just doing it on an occasional basis; have a designated model bag with the following essentials. You will be prepared for any modeling situation, and don't think the clients won't notice! Remember to also bring it with you when you go to your agency. This is in case you need to do some digis or meet a client last minute.
Brands Boost Influencer Marketing Budgets
Brands Boost Influencer Marketing Budgets
Influencers taking selfies in Milan | Source: Shutterstock By Victoria Berezhna April 6, 2018 05:28 LONDON, United Kingdom - Not all that long ago, many brands viewed using Instagram influencers to promote a new fashion line or attend a product launch event as a promising experiment.
Is This The Beginning Of The End For The Fur Trade?
It seems that many fashion houses and major US cities have started to ban the use of fur in their clothes and shops.
(AOL)
San Francisco is one of the first major US cities to ban the sale of fur, after the city’s Board of Supervisors’ unanimous vote. The ban goes into effect on 1st of January 2019, and the city’s retailers have until January of 2020 to sell their fur stock. Clothing and accessories made from animal fur will no longer have a place on the shelves of San Francisco’s retail shops. Currently, San Francisco is the third Californian city banning the sale of fur after Berkley and West Hollywood.
This is a very encouraging move, at a time when more and more designers are declaring their cessation of animal fur use. Gucci, Giorgio Armani, Michael Kors, and now Versace recently announced that only eco-friendly “faux fur” will be used in their collections.
Michael Kors (Fashionista)
In October 2017, Marco Bizzarri, president and CEO of Gucci, stated in the Business of Fashion that using fur today is out-dated, and that’s the main reason why they stopped using it in their collections. In 2016, Giorgio Armani announced that he’ll stop the use of real fur. He also said that new technologies “render the use of cruel practices unnecessary as regards animals.”
Model at the Gucci Cruise 2018 show in Florence, Italy. (Pietro DΓÇÖAprano/Getty Images)
At the end of 2017, the iconic American designer, Michael Kors, announced that his company would no longer use real fur. The top Italian brand Versace, known for its unique Italian aesthetic has officially stated that it will stop using real fur, with Donatella Versace telling The Economist’s 1843 magazine, “Fur? I am out of that. I don’t want to kill animals to make fashion. It doesn’t feel right.”
Donatella Versace. (Alberto Scarpinato/IPA/RexShutterstock)
The “fur issue” will continue to bother the majority of fashion designers, since it’s not just about the use of real or fake. It’s more about sustainability and the way the faux-fur is produced.
PFW F/W2018. We’ll Always Have Paris.
February 27, 2018
Christian Dior
First, it was the “We should all be feminists” T-shirt, now the “C’est non, non, non et non!” sweater. It’s been 50 years since the student riots in May 1968, and Maria Grazia Chiuri decided to make another social-political statement. Inspired by the tumultuous protesters of 1968 and Diane Vreeland’s “youthquake”, Chiuri wanted to target younger customers but retain Dior’s high-fashion aesthetic and legacy. A wardrobe that is revolutionary but also highly creative.
Saint Laurent
Anthony Vaccarello was inspired by the Yves Saint Laurent’s “Russian Peasant” couture collection of F/W 1976, an extravagant collection in its time. But, Vaccarello gave a more Parisian direction of that elaborated and voluminous collection of Monsieur Saint Laurent. Mini shorts, large brimmed hats, fiercely impressive décolletés and the sparkling Eiffel Tower as a background accessory created a strong, contemporary fashion statement.
February 28, 2018
Maison Margiela
Décortiqué. John Galliano loves to name his collections with French adjectives. In this collection, he stripped down the garments to their essence and just kept their skeletal structure. Unconscious glamour was the collection’s name, but it looked more like ‘Rushed Dressing’ glamour. Coats worn before dresses, blazers before sweaters, holographic coats and a lot of deconstructing garments all over the catwalk. Galliano loves the pair-if-you-dare game of fabrics.
Dries Van Noten
Fashion is good, fashion is nice. It sounds like a mantra but that was the message Dries Van Noten was passing through his collection. We live in a very complicated and wild world, and maybe the Dark Ages are back. But, fashion should reflect the bright side of life. That was what Van Noten’s collection was all about. Utilitarian sportswear, ‘70s glam, and Paul Poiret references. Fashion is good, fashion is nice.
March 1, 2018
Ann Demeulemeester
The dark romanticism of the British poet, William Blake, was what Sébastien Meunier had in mind while creating this strong, aggressive but feminine collection. Clothes for modern amazons. Unfastened leather straps, painted black clothes, but there was also a hint of innocence. Jeanne d’Arc could have been Meunier’s muse for this collection.
March 2, 2018
Loewe
Five classical novels in their native language, with jackets photographed by Steven Meisel, were placed on every chair. “Classicism is always there…sometimes you change the cover and make it relevant for today,” Jonathan Anderson referred to the reading material. Loewe craftsmanship and the meticulously detailed mixing of the fabrics created an updated classic collection.
Balmain
Olivier Rousteing’s “Balmain Army” became fierce disco queens this season. They love wearing ripped jeans with holographic jackets, quilted leather, PVC thigh-high boots, and whatever has a shining effect on the designer’s favorite ‘80s silhouettes.
March 3, 2018
Comme des Garçons
Rei Kawakubo always loves to deconstruct the shape of the clothes and create theatrical figures inspired the history, even if she has stated that she doesn’t like to look back. For this season, CAMP was the name of her collection. She referred to Susan Sontag’s 1964 essay “Notes on Camp”. “I think camp can express something deeper, and give birth to progress,” Kawakubo wrote in her show notes. The progress of thinking and feeling the world around us.
Altuzarra
Joseph Altuzarra designed a collection that was all about the women he grew up with. His mother, his friends, all the women who work and get dressed to go to the office. La Coupole restaurant at Montparnasse was the perfect choice for this real collection to take place.
March 4, 2018
Givenchy
If someone wants to learn about the ‘80s in East and West Germany, Clare Waight Keller’s collection for Givenchy would be the best fashion history class. Rich faux furs, leather, sharp tailoring and lace created the desired contradiction so as to present those two different sides of a country. Glamour and cruelty.
Valentino
“Sometimes it’s felt as if a woman had to dress like men to be more powerful. Today is a different moment. People can be exactly how they are,” said Pierpaolo Piccioli. Flowers, the symbol of romance, were the collection’s main theme. Flowers that were a reminder of Georgia O’ Keefe paintings but much more minimal. Long dresses, coats, jackets; everything a romantic Valentino woman would wear.
March 5, 2018
Alexander McQueen
A McQueen woman is always powerful, and so was Sarah Burton’s show. Metamorphosis was the name of the collection, and it was an ode to powerful womanhood. Like a caterpillar transforms into a beautiful and ethereal butterfly, so does a girl become a mighty woman. Undoubtedly, throughout the collection butterfly wings had a special place.
Giambattista Valli
“Humanity, much less politics,” Giambattista Valli said backstage. Valli’s collection was a collision between different cultures and politics where everyone accepts each other as they are. A journey through different countries, unique civilizations and unlike mentalities, but with bohemian attitude.
March 6, 2018
Chanel
Karl Lagerfeld always narrates a personal story through each of his shows, and he did so again this time. Twelve old alleys decorated the runway, at Grand Palais, along with a German forest that is usually spotted somewhere in north Hamburg, a memory from Lagerfeld’s childhood. Everything that one needed for a stylish walk into the woods was in the collection.
The #CHANELFallWinter 2018/19 show, presented by Karl Lagerfeld yesterday in Paris. #PFW
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Miu Miu
Miu Miu is about girls who love to have fun with fashion. This time, Miuccia Prada mixed the ‘50s and ‘80s and the outcome was an eccentric and colorful collection. Different types of models, but all were referring to strong personalities. One thing in common… they all love the ‘80s powerful dress code.
MFW F/W2018: La Divina Moda.
Hybrids. Clans. Cyborgs. Religion. Everything looked surreal in this still-real-world we live in.
February 21, 2018
Gucci
The fashion week in Milan initiated quite dynamically, shockingly dynamic someone would say. The invitation to Gucci had already prompted that the guests wouldn’t be watching an ordinary runway show. A timer in a plastic bag which counted in reverse until the beginning of the show, that was taking place in a surgery room. Alessandro Michele titled the Gucci show “Cyborg” after Donna Haraway’s 1984 “A Cyborg Manifesto” essay. Two models were carrying their own heads as accessories, another holding a dragon, and a third eye was staring from a model’s forehead. Living in a world full of uncertainty, where many questions have been risen and found no answers, Michele created a hybrid that surpasses dualisms and dichotomies. Velvet dresses, tweed jackets, distressed jeans, and furs covered with tulle. A futuristic collection with a grim touch.
Moschino
It’s very obvious that Jackie Kennedy and Marilyn Monroe were the inspiration for Jeremy Scott’s fall collection for Moschino. Bobbed hair and pillbox hats were reminiscent of the First Lady, but with some Pop Art and alien characteristics. However, it was the bombshell who came out wearing evening looks because something’s got to give.
February 22, 2018
Max Mara
Max Mara is synonymous with powerful and beautiful outwear since its foundation day, back in 1951. With this collection, Max Mara wanted to gain the appreciation of a younger generation. Power dressing with some ’80s punk chic details created a very strong theme. Large coats, leather skirts teamed with slim pants, and T-shirts with Francoise Berthoud illustrations are waiting to be worn by powerful Millennial queens.
Fendi
“Romantic femininity for a powerful woman,” were Silvia Venturini Fendi’s words about the last collection. This time Karl Lagerfeld and Fendi focused on men’s fabrics and detailed tailoring. Double-breasted glossy coats in Prince of Wales checks, handkerchief linen transformed into coat collars and embroidered dresses, Texan boots, and the new version of Peekaboo bag, the Peekaboo X-Lite brought the perfect balance between strong lines and the delicacy of the ‘40s.
Prada
Miuccia Prada decided to match two opposing types of women in order to create a superwoman, who isn’t afraid to fight if needed while wearing something extremely feminine. On the one side, bustier, tulle, and sequins and on the other protective tight knit dresses, and jackets in neon colors were worn as armor. Also, the “Hot Rods” shoes are back, but with an upgrade and perfectly matched with the Fondazione Prada’s view of the post-industrial Milan.
February 23, 2018
Etro
Etro becomes 50 years old and the creative director, Veronica Etro wanted to celebrate it with the most Etro-ish way. Prints and glamorous bohemian aesthetics were the main ingredients for the “Folk Deco” collection. Fringes, suede boots, printed dresses and shearling jackets proved that stylish can be also cozy.
Versace
For the Italians, “La Famiglia” is the most important, and sacred, thing. The family is something that proves where you belong, it’s a form of identity. Maybe that was what Donatella Versace had in mind when she named the last collection “The Clans of Versace.” Tartans, African graphism, total monochrome mixed with a multitude of styles and decades. Many designs were from her brother Gianni, but Donatella produced a collection that belongs in the “Famiglia Versace”.
February 24, 2018
Giorgio Armani
“Inspired by many cultures as an ode to co-existence as opposed to exclusion,” were Giorgio Armani’s notes about the collection. Clothes in pale colors were succeeded by jackets and then by embellished gowns. The many fabrics created a collection that can travel around the world through textures and design.
Missoni
Missoni is well-known for its zigzagging, multicolored knits. For this season, Angela Missoni created another story mixing Caribbean colors and references to Jamaican colorful layering. Icons such as Lisa Bonet, Basquiat and Hendrix were an inspiration for this ‘70s and early ‘80s super colorful collection.
Jil Sander
A collection inspired by the sci-fi movie “2001: A Space Odyssey”, a nostalgia for what the future holds for humans. Outfits with references to astronaut uniforms that exhaled purity. “We’re surrounded by technology and AI and all these things that are always in the news and in the consciousness. We thought, ‘Why can’t the future be beautiful, soft and human also?’” said Luke Meier backstage.
February 25, 2018
Marni
“Techno-primitivism” is what Francesco Risso named his Fall 2018 Marni show – a contradiction in terms. Marni is a synonym to minimalism, yet this collection was dedicated to the use of contrasting colors, fabrics and prints. It was referring to that type of women who, at the same time, can combine fragility and powerfulness in a creative way. Well-constructed coats and dresses mixing two opposite fabrics produced a weird but very beautiful outcome.
Dolce & Gabbana
A Catholic ceremony with a touch of technology; that was Dolce&Gabbana. When the golden gates opened, eight drones appeared and each of them carried a D&G handbag. “Fashion Devotion” was the title of the collection, and not by chance. Every outfit was inspired by the Catholic church; the colors, the fabrics, the accessories. Even slogan printed t-shirts were referring to Church in some way. A collection made for sin.
Tommy Hilfiger
All started in New York, went to London, then Beijing and now Milan, the fashion capital in Tommy Hilfiger’s mind. It was something like a World Tour or pit stop of racing cars. Hilfiger’s spring #TommyNow see-now-buy-now collection was not only a celebration of his love for fast cars but also a celebration of his partnership with Mercedes-AMG Petronas, through which he will be its official apparel partner. Racing tops and jackets with Hilfiger’s logo, stripes, denim and sheer dresses. Everything looked so authentic. And, Gigi Hadid was there to add more cuteness and youthfulness at this “Fast and Furious” show.